{"id":36195,"date":"2024-02-04T18:13:24","date_gmt":"2024-02-04T17:13:24","guid":{"rendered":"https:\/\/www.maisonlouiscarre.fr\/mlc\/?p=36195"},"modified":"2024-09-03T18:17:20","modified_gmt":"2024-09-03T16:17:20","slug":"la-marche-supplementaire","status":"publish","type":"post","link":"https:\/\/www.maisonlouiscarre.fr\/mlc\/la-marche-supplementaire\/","title":{"rendered":"La marche suppl\u00e9mentaire"},"content":{"rendered":"

<\/span><\/div><\/div><\/div>

Exposition collective<\/h4>\n

5 mai – 1er septembre<\/strong> 2024<\/strong><\/p>\n

Pour l’exposition de printemps-\u00e9t\u00e9, nous avons invit\u00e9 la galerie parisienne Marcelle Alix \u00e0 pr\u00e9senter quatre de leurs artistes : Ian Kiaer, Laura Lamiel, Charlotte Moth et Mira Schor. Isabelle Alfonsi et C\u00e9cilia Becanovic, co-fondatrices de Marcelle Alix, aiment penser la galerie comme un lieu proche de l’atelier, o\u00f9 se m\u00ealent travail et intimit\u00e9 :<\/p>\n

\u00ab Depuis quinze ans, nous avons imagin\u00e9 la galerie Marcelle Alix comme un espace reli\u00e9 \u00e0 la vie domestique, loin des effets intimidants du \u00ab White Cube \u00bb. Ouvrir notre lieu de travail \u00e0 l’accueil des affects qui animent les \u0153uvres et reconna\u00eetre ainsi l’importance politique du ‘personnel’ tel qu’il r\u00e9sonne dans les combats f\u00e9ministes, nous rend particuli\u00e8rement sensibles \u00e0 l’invitation qui nous a \u00e9t\u00e9 faite de penser la maison imagin\u00e9e par Alvar Aalto pour le galeriste Louis Carr\u00e9 comme un environnement propice \u00e0 l’accomplissement de ce que chaque personne a en propre. \u00bb<\/span><\/p>\n

\u00ab\u00a0La marche suppl\u00e9mentaire\u00a0\u00bb d\u00e9crite dans\u00a0La Vie Mat\u00e9rielle<\/em> de Marguerite Duras, ancienne voisine de la maison Louis Carr\u00e9 \u00e0 Neauphle-le-Ch\u00e2teau, est celle que les femmes doivent ma\u00e7onner elles-m\u00eames devant leur seuil pour prendre leur \u00e9lan vers l’\u00e9mancipation.\u00a0\u00bb<\/p>\n

Dossier presse<\/a><\/p>\n

Image : Mira Schor, The Scholar<\/em>, 2019, Photo Nicolas Lafon<\/p>\n

Couverture : Laura Lamiel, The Wall<\/em>, 2000-2017, Ian Kiaer, a.a. salon<\/em>, 2024. Photo Aur\u00e9lien Mole<\/p>\n

Galerie : Photos Aur\u00e9lien Mole<\/p>\n<\/div><\/div><\/div><\/div><\/div>

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